In Buckminster Fuller’s magnum opus, Synergetics, he makes the audacious assertion that “The subjective and objective always and only coexist and therewith demonstrate the inherent plurality of unity: inseparable union” (see 1013.16). I had forgotten that, but I had remembered that in reading Bucky my understanding of the words “subjective” and “objective” was enriched and enlivened.

I subliminally remembered this quote at the end of my study of Modern and Contemporary American Poetry (ModPo) with Al Filreis of the University of Pennsylvania. On 18 November 2015, I attempted to explain the idea to the ModPo community.

But what did Bucky mean by “the subjective and objective always and only coexist”? Let me give my interpretation and suggest its profound significance for our lives and in characterizing the nature of Bucky’s notion of design science.

In Bucky’s Synergetics (and probably in his entire oeuvre), I think by “objective” he usually means voluntarily working to realize an objective, a goal, or a purpose whereas by “subjective” he means involuntarily subjected to happenings (which may be due to necessity or chance or circumstance). Bucky’s meanings for “objective” and “subjective” are logical variants of their root words “object” and “subject” even though they are not the most common in contemporary parlance.

Do you agree that “objective” and “subjective” can be used in this way?

Here is my evidence for Bucky’s usage: In 302.00 and 305.05, he explicitly identifies objective with voluntary and subjective with involuntary. In 986.032, he identifies objective with experimental and subjective with experiential. In 100.010, Bucky identifies objective with active/self and subjective with passive/otherness.

Do you agree with my interpretation of Bucky’s use of the words “objective” and “subjective”? Can you cite other Bucky passages that further clarify his thinking?

Does Universe relentlessly subjugate us to situations which we did not voluntarily choose? Simultaneously, are we not also the agents of ongoing genesis intentionally and objectively building our futures (to paraphrase Harold G. Nelson and Erik Stolterman in their profound 2012 book The Design Way)?

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The interrelationships between society and technology run deep. We all partake and participate in the unfolding technology evolution “discussion” that is our lives. The tools we use, try out, improvise, critique, and/or advocate are our minimal contributions to this discussion. The accidents of technological history set the context for the discussion. We are all technologists entangled in a technological world! Technology has been the main (perhaps the only?) means by which human progress has been achieved with tools like the pencil, slide fastener (or zipper), jet airplane, water systems, skyscrapers, bridges, and computers all dramatically changing society. Henry Petroski’s great short book “Invention by Design: How Engineers Get from Thought to Thing” explores the design and engineering arts in the full richness of their social context in nine intriguing case studies.

I first read Invention by Design in February 1999. Recently I was re-reading it when Michael Tweed of the The Ben Franklin Thinking Society invited me to lead the group’s Science & Technology meetup every month. That led to the Discussion: Engineering Failures & Society on 8 May 2011. Here are some thoughts reflecting on Petroski’s book, the 8 May meetup, and further cogitating about the big picture of society and technology. Hopefully these notes and your feedback will help us better understand the technological world at the core of our ever changing civilization.

What is Technology?

Technology is the catch-all term used to describe objects and the networks, systems, and infrastructures in which they are embedded, as well as the patterns of use that we impose upon them and they upon us. Technology is clearly context-dependent and ever evolving. — Henry Petroski

Petroski’s definition suggests that civilization itself may be technology. So it would seem that technology embraces culture, values, psychology, history, and the multidimensional elements of the environment (materials science, biology, anthropology, geophysics, chemistry, etc.). Buckminster Fuller goes further:

In its complexities of design integrity, the Universe is technology. The technology evolved by man is thus far amateurish compared to the elegance of nonhumanly contrived regeneration. Man does not spontaneously recognize technology other than his own, so he speaks of the rest as something he ignorantly calls nature. — Buckminster Fuller, Synergetics, 172.00-173.00

By taking Petroski’s “networks, systems, and infrastructures” to the next level of “design integrities” and identifying it as technology, Bucky leads us to the biggest of big pictures: Universe itself! As social creatures we often think of society as the big picture. I think his point is well made: technology is an inhernet component of Universe itself. Human society is our storied Earth-developed technology. It seems likely that Human society will become the “brain” managing the regenerative ecological functions of Gaia, the theory that Earth is “alive”. If that happens, the storied technology of Earth would probably become even more syntropic and powerful than what life has achieved thus far. Regardless, society and the technology with which it is built are inextricably intertwined!

Design and Engineering in Society

Design and engineering are the arts of consciously working to evolve and develop our technological infrastructure to improve our worlds. Petroski emphasizes the role of society in the engineering process and vice versa in these illuminating quotes:

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