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“Comprehensively Commanded Automation”

datePosted on 1 November 2020 by cjf

The title is a puzzling but evocative expression from Bucky Fuller’s book “Operating Manual for Spaceship Earth”. Our exploration of it will show that Bucky’s book is, perhaps, his most concise articulation of his full philosophical vision. Before I try to interpret it, let me provide some background.

Last year, I wrote a synopsis for Buckminster Fuller’s “Operating Manual for Spaceship Earth”. Recently, I wrote another synopsis of “Operating Manual” for the Comprehensivist Wednesdays series. Inspired by my presentation on Bucky’s Comprehensive Thinking, Shrikant Rangnekar of 52 Living Ideas has organized a series of events on Bucky’s Operating Manual for Spaceship Earth. This essay was written to provide ideas in support of the 7 November 2020 event on “Operating Manual” for that series (crossposted at The Greater Philadelphia Thinking Society).

Introducing “Comprehensively Commanded Automation”

When I wrote my first synopsis of R. Buckminster Fuller’s 1969 book “Operating Manual for Spaceship Earth” last year, I identified the title of chapter 3 “Comprehensively Commanded Automation” as a significant idea in the book. It is not a catchphrase. I do not think Bucky ever used the phrase again. This essay will show how my interpretation of “Operating Manual” sees this phrase as a significant unifying concept in the book that resonates repeatedly with the text revealing meanings that might otherwise be missed.



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On 11 March 2019, Harold Channer again invited me to the studios of MNN (Manhattan Neighborhood Network) in New York City to record two one-hour editions of the TV program “Conversations with Harold Hudson Channer”. To expand on topics from the first interview, here are three addenda:

I included questions throughout to invite your feedback in the comment section at the end.


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In Buckminster Fuller’s magnum opus, Synergetics, he makes the audacious assertion that “The subjective and objective always and only coexist and therewith demonstrate the inherent plurality of unity: inseparable union” (see 1013.16). I had forgotten that, but I had remembered that in reading Bucky my understanding of the words “subjective” and “objective” was enriched and enlivened.

I subliminally remembered this quote at the end of my study of Modern and Contemporary American Poetry (ModPo) with Al Filreis of the University of Pennsylvania. On 18 November 2015, I attempted to explain the idea to the ModPo community.

But what did Bucky mean by “the subjective and objective always and only coexist”? Let me give my interpretation and suggest its profound significance for our lives and in characterizing the nature of Bucky’s notion of design science.

Subjectivity and Objectivity 1, illustration by Jeannie Moberly

In Bucky’s Synergetics (and probably in his entire oeuvre), I think by “objective” he usually means voluntarily working to realize an objective, a goal, or a purpose whereas by “subjective” he means involuntarily subjected to happenings (which may be due to necessity or chance or circumstance). Bucky’s meanings for “objective” and “subjective” are logical variants of their root words “object” and “subject” even though they are not the most common in contemporary parlance.

Do you agree that “objective” and “subjective” can be used in this way?

Here is my evidence for Bucky’s usage: In 302.00 and 305.05, he explicitly identifies objective with voluntary and subjective with involuntary. In 986.032, he identifies objective with experimental and subjective with experiential. In 100.010, Bucky identifies objective with active/self and subjective with passive/otherness.

Do you agree with my interpretation of Bucky’s use of the words “objective” and “subjective”? Can you cite other Bucky passages that further clarify his thinking?

Does Universe relentlessly subjugate us to situations which we did not voluntarily choose? Simultaneously, are we not also the agents of ongoing genesis intentionally and objectively building our futures (to paraphrase Harold G. Nelson and Erik Stolterman in their profound 2012 book The Design Way)?

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