Dante’s Commedia, written in the early 1300s, is ostensibly an epic poem about a pilgrim who travels through Inferno (hell), Purgatorio (purgatory), and Paradiso (heaven) to encounter God face-to-face and then returns to tell us about it. More interestingly, it is a poem of learning, philosophy, and the struggles of life with more nuances, depth and perspectives than I would have thought possible had I not read it myself. To say that the Commedia is rich in a multidimensional way is an understatement. The Commedia is intricate, dramatic, thrilling, mind-blowing, cosmic, shocking, ineffable, sometimes oppressive, and altogether extraordinary!

The pilgrim is Dante himself and his guide through most of the journey is the Roman poet Virgil. Open Yale Courses provides its own able guide in Giuseppe Mazzotta who presents a fascinating and deeply engaging course ITAL 310: Dante in Translation (videos at YouTube). Mazzotta places the Commedia, more commonly entitled The Divine Comedy, in the encyclopedic tradition (a circle of knowledge through the liberal arts) but he also calls it an epic, romantic, autobiographical, and visionary poem. Indeed by the end of the course, I had lost track of how many different angles on the poem Mazzotta had identified: prophetic, philosophical, historical, sublime, humanistic, theological, scientific, geometrical, musical, a poetry of hope, a poetry of the future, etc., etc.!

Dante makes large claims for poetry: poetry is a way of knowing.
— Giuseppe Mazzotta

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